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Hysterical!: Women in American Comedy

Hysterical!: Women in American Comedy

Current price: $95.00
Publication Date: December 16th, 2017
Publisher:
University of Texas Press
ISBN:
9781477314517
Pages:
472
Usually Ships in 1 to 10 Days

Description

Ideal for classroom use, this anthology of original essays by the leading authorities on women’s comedy surveys the disorderly, subversive, and unruly performances of women comics from silent film to contemporary multimedia

Winner, Susan Koppleman Award for Best Anthology, Multi-Authored, or Edited Book in Feminist Studies, Popular and American Culture Associations (PACA), 2017

Amy Schumer, Samantha Bee, Mindy Kaling, Melissa McCarthy, Tig Notaro, Leslie Jones, and a host of hilarious peers are killing it nightly on American stages and screens large and small, smashing the tired stereotype that women aren’t funny. But today’s funny women aren’t a new phenomenon—they have generations of hysterically funny foremothers. Fay Tincher’s daredevil stunts, Mae West’s linebacker walk, Lucille Ball’s manic slapstick, Carol Burnett’s athletic pratfalls, Ellen DeGeneres’s tomboy pranks, Whoopi Goldberg’s sly twinkle, and Tina Fey’s acerbic wit all paved the way for contemporary unruly women, whose comedy upends the norms and ideals of women’s bodies and behaviors.

Hysterical! Women in American Comedy delivers a lively survey of women comics from the stars of the silent cinema up through the multimedia presences of Tina Fey and Lena Dunham. This anthology of original essays includes contributions by the field’s leading authorities, introducing a new framework for women’s comedy that analyzes the implications of hysterical laughter and hysterically funny performances. Expanding on previous studies of comedians such as Mae West, Moms Mabley, and Margaret Cho, and offering the first scholarly work on comedy pioneers Mabel Normand, Fay Tincher, and Carol Burnett, the contributors explore such topics as racial/ethnic/sexual identity, celebrity, stardom, censorship, auteurism, cuteness, and postfeminism across multiple media. Situated within the main currents of gender and queer studies, as well as American studies and feminist media scholarship, Hysterical! masterfully demonstrates that hysteria—women acting out and acting up—is a provocative, empowering model for women’s comedy.

About the Author

Linda Mizejewski is a professor of women’s, gender, and sexuality studies at the Ohio State University. Her most recent book is Pretty/Funny: Women Comedians and Body Politics.

Victoria Sturtevant is an associate professor of film and media studies and associate dean of the College of Arts and Sciences at the University of Oklahoma. She is the author of A Great Big Girl Like Me: The Films of Marie Dressler.

Praise for Hysterical!: Women in American Comedy

Here to meet all your funny female deep-read needs . . . a juicy read for those who love the many ways female comics use their art to question the patriarchy.
— BUST

Hysterical! is and will be of benefit to any scholar studying women and humour and especially for star studies scholars that focus on funny women.
— Aigne

Hysterical! is wide-ranging, well-researched, and clearly written, making it accessible to both academic and general audiences…an invaluable collection and a great read."
— Journal of Popular Culture

Together, Mizejewski and Sturtevant create a collection which thoroughly explores aspects of the body, gender, and sexuality in American women’s comedy, shedding light on the fact that, to appear funny to men, women often find themselves making fun of their own bodies and sexual experiences in a way most male comics do not...Hysterical! is a thorough collection of essays on the works of women in American comedy, focusing on themes relating to the body, sexuality, and expectations of women in society.
— Popular Culture Studies Journal